New York: Farrar, Straus and Giroux, (1963). Octavo, original black cloth lettered in green and white over black paper boards, green endpapers, top edge stained black, original unclipped pictorial dust jacket lettered in blue and green. Ink presentation inscription from Sontag to Dwight MacDonald on verso of front free endpaper...
[New York]: The Heritage Press, 1944. Quarto, original red cloth, spine lettered in yellow, pictorial pastedown bordered in red and blue to front board, color pictorial endpapers, all edges stained yellow, original unclipped color pictorial dust jacket. Black-and-white and color illustrations throughout text. Jacket spine sunned, no slipcase.
Cambridge: Harvard University Press, 1980. Octavo, publisher's beige cloth lettered in black, dark brown endpapers, supplied clipped typographic dust jacket. Inscribed in ink on the title page: “For Henry Nash Smith, / admiringly, / from Helen Vendler.” Pencil notation to verso of final blank, author photograph from original dust jacket...
London: Sylvan Press, 1945. Tall octavo, original pictorial orange cloth stamped in gilt, ivory endpapers, original unclipped pictorial dust jacket. Introductory essays by George Rylands and Charles Williams, black-and-white line drawings by Michael Ayrton throughout text. Ink inscription to front pastedown: “In appreciation of a kindness / Mary / November...
New York: Harcourt Brace Jovanovich, (1988). Single volume measuring 10 x 7.25 inches, original green cloth spine lettered in gilt, green paper boards, tan endpapers, original unclipped color pictorial dust jacket. Illustrated with six full-page black and white plates and smaller vignettes throughout text.
London: David Bogue, 1881. Octavo, early twentieth-century full red crushed morocco gilt, boards gilt-ruled with gilt cornerpieces and floral medallions inlaid with green morocco, raised bands, spine compartments lettered and decorated in gilt, marbled endpapers, gilt dentelles, top edge gilt, other edges uncut, red silk ribbon marker. Gilt-embossed rectangular panel...
London: Edward Moxon, 1846. Seven octavo volumes, full polished calf gilt, raised bands, red and green spine labels, marbled edges and endpapers. Portrait frontispiece to Volume I; Volumes I, II and V expertly rebacked with the original spines laid down. Lightest rubbing and toning to bindings.