Boston: Little, Brown & Co., 1934. Single volume, measuring 7.5 x 5 inches: , 285, . Original blue and orange cloth, top edge stained yellow, clipped color-printed pictorial dust jacket supplied from another copy. Bookplate of Amelia Earhart to front pastedown; Earhart's ink ownership signature to front free endpaper. Faint...
(London): Percy Lund, Humphries & Co., (1960). Octavo, measuring 9 x 6 inches: . Original green paper boards lettered in black and white dots. Text printed in black, orange, and blue. Illustrated with photolithographed annotations and vignettes, full-page drawings, diagrams, photographs of Duchamp’s work (including one folding plate), and musical...
Paris: Bibliothèque-Charpentier, 1901. Full modern red buckram lettered in gilt, yellow publisher’s rear wrapper bound in. Ink signature of James Joyce (dated 1901) to half-title. Bookplate of Alexander Neubauer to front pastedown. Front wrapper missing; half-title torn with loss, with early tape repairs to verso; text block embrowned.
New York: D. Appleton and Company, 1861. Single volume, measuring 7.75 x 4.75 inches: (3), 4-140, (4). Original full brown textured cloth, boards blind-ruled and lettered in gilt, pale yellow coated endpapers. Four pages of publisher’s advertisements at rear. Bookplate of Susan Hayhurst to front pastedown, early ownership stamp of...
New York: Farrar & Rinehart, 1932. Single volume, measuring 7.5 x 5 inches: , 282. Original blue cloth lettered in gilt, unclipped color-printed dust jacket supplied from another copy. Ink presentation inscription from Dawn Powell to Jacques LeClercq on front free endpaper. Cloth faded, light edgewear and shallow chipping to jacket.
New York: Farrar & Rinehart, 1936. Single volume, measuring 7.75 x 5.25 inches: , 281. Original beige cloth stamped in red and blue, top edge stained red, unclipped color-printed dust jacket supplied from another copy. Ink presentation inscription from Dawn Powell to Jacques LeClercq on front free endpaper. Light discoloration...
Cambridge: Harvard University Press, 1980. Octavo, publisher's beige cloth lettered in black, dark brown endpapers, supplied clipped typographic dust jacket. Inscribed in ink on the title page: “For Henry Nash Smith, / admiringly, / from Helen Vendler.” Pencil notation to verso of final blank, author photograph from original dust jacket...
London: Edward Moxon, 1846. Seven octavo volumes, full polished calf gilt, raised bands, red and green spine labels, marbled edges and endpapers. Portrait frontispiece to Volume I; Volumes I, II and V expertly rebacked with the original spines laid down. Lightest rubbing and toning to bindings.