London: Printed for J. Johnson, 1809-1812. Six twelvemo volumes, contemporary three-quarter calf over marbled paper boards, spines ruled and numbered in gilt, red morocco spine labels lettered in gilt and tooled with a floral gilt border. All half-titles present. Contemporary stamp of Ashley Combe to front pastedowns, later stamp of...
Paris: Bibliothèque-Charpentier, 1901. Full modern red buckram lettered in gilt, yellow publisher’s rear wrapper bound in. Ink signature of James Joyce (dated 1901) to half-title. Bookplate of Alexander Neubauer to front pastedown. Front wrapper missing; half-title torn with loss, with early tape repairs to verso; text block embrowned.
New York and London: Harcourt Brace Jovanovich, (1975). Folio measuring 12 x 8 inches, original black paper boards with photographic portraits of Dinesen and Gatura on upper and lower board respectively, spine lettered in gilt, original unclipped pictorial dust jacket, tan endpapers. Inscribed by Peter Beard to “Dena and Bryan”...
New York: Alfred A. Knopf, 1954. Octavo, original green cloth stamped in blind and gilt, top edge stained red, original unclipped dust jacket. Inscribed by Randall Jarrell to Cleanth Brooks on the front free endpaper. Small dampstain to bottom corner of front board, light rubbing to jacket, spine slightly faded.
New York: Farrar, Straus and Giroux, (1963). Octavo, original black cloth lettered in green and white over black paper boards, green endpapers, top edge stained black, original unclipped pictorial dust jacket lettered in blue and green. Ink presentation inscription from Sontag to Dwight MacDonald on verso of front free endpaper...
Cambridge: Harvard University Press, 1980. Octavo, publisher's beige cloth lettered in black, dark brown endpapers, supplied clipped typographic dust jacket. Inscribed in ink on the title page: “For Henry Nash Smith, / admiringly, / from Helen Vendler.” Pencil notation to verso of final blank, author photograph from original dust jacket...
London: Edward Moxon, 1846. Seven octavo volumes, full polished calf gilt, raised bands, red and green spine labels, marbled edges and endpapers. Portrait frontispiece to Volume I; Volumes I, II and V expertly rebacked with the original spines laid down. Lightest rubbing and toning to bindings.