London: George Routledge & Sons, . Oblong quarto, measuring 8.5 x 10 inches: . Original red cloth spine, pale green color-printed pictorial boards, all edges stained red, deep blue coated endpapers. Half-title and title page printed in brown ink. Color-printed wood engravings by Edmund Evans after watercolors by Greenaway on...
Boston: Houghton Mifflin, 1908. Twenty-five octavo volumes, contemporary full blue morocco gilt, boards triple-ruled in gilt, raised bands, spines lettered in gilt, pale blue endpapers, blue silk ribbon markers, top edges gilt, other edges uncut and partially unopened. Title pages printed in red and black. Illustrated with photogravures throughout text...
[London]: Alexander Moring at the De La More Press, . Octavo, measuring 7.25 x 5.5 inches: , 203, . Original full blue pictorial cloth stamped in black, peach, and white; spine illustrated in like colors and lettered in gilt. Illustrated with pictorial headpieces and six full-page black-and-white plates. Lengthy presentation...
New York: Alfred A. Knopf, 1954. Octavo, original green cloth stamped in blind and gilt, top edge stained red, original unclipped dust jacket. Inscribed by Randall Jarrell to Cleanth Brooks on the front free endpaper. Small dampstain to bottom corner of front board, light rubbing to jacket, spine slightly faded.
New York: Farrar & Rinehart, 1932. Single volume, measuring 7.5 x 5 inches: , 282. Original blue cloth lettered in gilt, unclipped color-printed dust jacket supplied from another copy. Ink presentation inscription from Dawn Powell to Jacques LeClercq on front free endpaper. Cloth faded, light edgewear and shallow chipping to jacket.
New York: Farrar & Rinehart, 1936. Single volume, measuring 7.75 x 5.25 inches: , 281. Original beige cloth stamped in red and blue, top edge stained red, unclipped color-printed dust jacket supplied from another copy. Ink presentation inscription from Dawn Powell to Jacques LeClercq on front free endpaper. Light discoloration...
Cambridge: Harvard University Press, 1980. Octavo, publisher's beige cloth lettered in black, dark brown endpapers, supplied clipped typographic dust jacket. Inscribed in ink on the title page: “For Henry Nash Smith, / admiringly, / from Helen Vendler.” Pencil notation to verso of final blank, author photograph from original dust jacket...
London: Edward Moxon, 1846. Seven octavo volumes, full polished calf gilt, raised bands, red and green spine labels, marbled edges and endpapers. Portrait frontispiece to Volume I; Volumes I, II and V expertly rebacked with the original spines laid down. Lightest rubbing and toning to bindings.