Natick, MA: Picture Book Studio USA/Neugebauer Press, 1982. Tall narrow folio, measuring 13.5 x 8.25 inches, original glossy color pictorial boards, pale blue endpapers, original unclipped color pictorial dust jacket, priced at $14.95. Illustrated in color throughout text. Publisher’s promotional brochure laid in.
New York: Woman's World Magazine, July 1935. Staple-bound folio magazine, 26 pages. Original color pictorial wrappers, black-and-white illustrations throughout text. Highsmith's story on pages 16 and 25. Mailing address printed to top lefthand corner of upper wrapper, lightest edgewear.
Syracuse University: Spring 1940. Quarto, side-stapled dark blue pictorial wraps, beige cloth tape-bound spine. Sixty mimeographed leaves, printed on rectos only, black and white illustrations throughout text. Center crease to front cover and first few pages, shallow chipping and creasing to back cover, text block toned.
London, Edinburgh, and New York: Thomas Nelson and Sons, 1905. Oblong folio, measuring 9.75 x 12.5 inches; original pictorial teal cloth stamped in red, grey, black and white; title page printed in red and black. Illustrated with fifteen full-page color plates by Carton Moore Park and black-and-white line drawings throughout...
Various places: 1903-1910, 1952-1968. Oblong folio measuring 7.5 x 10.5 inches, original half diapered black calf over pebbled green cloth boards, spine ruled in gilt, black calf cylindrical pencil-holder attached to lower board, original elastic band (mended) attached to upper board, all edges speckled red. Front pastedown bears a calligraphic...
Garden City: Doubleday Doran & Company, (1931). Quarto, measuring 10.5 x 8.5 inches, original color pictorial paper boards, red cloth spine, color pictorial endpapers, unclipped color pictorial dust jacket. Color illustrations on every page. Bookseller ticket to rear pastedown, dust jacket chipped at corners and spine ends, with small abrasion to front panel.
(Glenview, Illinois): Scott, Foresman & Company, (1967-1968). Six octavo volumes, measuring 8.5 x 6.5 inches, original pale pictorial cloth with lettering and graphics in contrasting colors. Illustrated title pages, photographic or full-color illustrations on almost every page, glossaries at rear. School library stamps on front endpapers of two volumes, library...
Paris: Domino Press, (1931). Slim folio, measuring 14.25 x 11.25 inches, original blue cloth over color lithographed paper boards. Full-color lithographs, printed by Mourlot Frères, throughout text. Faded spine beginning to fray, corners lightly bumped, light toning to edges of boards.
London: Gibbings & Company Ltd. 1901. Four small octavo volumes, original deep purple pictorial cloth stamped in silver and gilt with mirror devices to front boards, spines decorated in silver and gilt, top edges gilt, text blocks uncut. Wood-engraved title page in each volume, sixteen full-page plates throughout set. Index...
Tokyo: (Takum Craft Shop), 1972. Portfolio measuring 15 x 11.5 inches, original stiff mulberry paper wrappers, two pastedown stencil-dyed mulberry paper labels to front wrapper, pastedown table of contents to rear wrapper, twelve loose broadside sheets (one for each month), each stencil-dyed in multiple colors on mulberry paper, untrimmed.
New York: Golden Press, (1962). Large quarto, original pale grey cloth boards lettered in red, color pictorial endpapers depicting the Globe Theatre, original unclipped floral patterned dust jacket, top edge stained red. Introduction by Tyrone Guthrie, color and black-and-white illustrations by the Provensens throughout text; glossary at rear. Pinpoint foxing...
New York: Vanguard Press, (1961). Slim quarto, full yellow pictorial cloth stamped in red, original unclipped color pictorial dust jacket. Color illustrations on every page. Seal of the Parents’ Magazine's Book Club for Beginning Readers to lower board and rear panel of jacket. Tiny chips to spine ends.
London: The Folio Society, 1949. Octavo, white cloth lettered in gilt over floral patterned boards, original clipped floral patterned dust jacket. Sixteen pink and blue lithographed plates by Nigel Lambourne throughout text. Additional bifolium, featuring plates “The Grisset" and “The Rose," laid in. Touch of soiling to spine ends, jacket...
[New York]: The Heritage Press, 1944. Quarto, original red cloth, spine lettered in yellow, pictorial pastedown bordered in red and blue to front board, color pictorial endpapers, all edges stained yellow, original unclipped color pictorial dust jacket. Black-and-white and color illustrations throughout text. Jacket spine sunned, no slipcase.
London and Edinburgh: Gall & Inglis, circa 1880. Octavo, original full red cloth elaborately blocked in gilt, black and blind with decorative fern design, beveled boards, pale yellow endpapers, all edges gilt. Color frontispiece and seven full-page wood engravings throughout text. Front free endpaper neatly excised.
Cambridge: Printed for Members of The Limited Editions Club at the University Press, 1951. Two octavo volumes, original color-printed pictorial cloth, spines lettered in gilt, top edges gilt, color pictorial endpapers. Title pages and colophon printed in black and green; occasional vignettes printed in green; dozens of color lithographs by...
New York: Payson & Clarke, (1926). Quarto, original full black cloth lettered in green, pastedown wood engraving of a circus ring on upper board, yellow pictorial endpapers. Wood-engraved vignettes on half title, frontispiece, and title page; twenty full-page wood engravings of animals throughout text. Very light wear to cloth.
Paris: Desclée de Brouwer, circa 1940. Twelvemo, measuring 5 x 6.25 inches. Modern design binding of red cloth lettered in silver gilt over grey pictorial paper boards hand-painted with a bird motif, red endpapers. Christmas 1940 gift inscription in English to front free endpaper. Illustrated with eight color plates by...
London: Sylvan Press, 1945. Tall octavo, original pictorial orange cloth stamped in gilt, ivory endpapers, original unclipped pictorial dust jacket. Introductory essays by George Rylands and Charles Williams, black-and-white line drawings by Michael Ayrton throughout text. Ink inscription to front pastedown: “In appreciation of a kindness / Mary / November...