(Tokyo): (K bunsha), (1928) [Showa 3]. Single volume, 8.75 x. 5.75 inches, , 246,  pp. Original half blue cloth over color pictorial wrappers depicting a stylized Sherlock Holmes and Mary Morstan, blue cloth ornamented and lettered in black and gilt, purple pictorial endpapers. Illustrated title page printed in magenta...
Boston: Roberts Brothers, 1880. Small quarto, measuring 7.5 x 6 inches. Original green pictorial cloth stamped in gilt and black, grey floral endpapers. Decorative headpieces throughout text, seventeen black and white illustrations. Presentation inscription to flyleaf. Corners and spine ends lightly bumped, occasional smudge to text.
London: Printed for S. Smith and B. Walford, 1702. Octavo, modern full period-style specked calf, boards paneled in blind with floral cornerpieces, raised bands, red morocco spine label lettered in gilt, spine elaborately ornamented in gilt, board edges tooled in gilt, all edges speckled red. Engraved frontispiece portrait of Seneca...
London: Smith, Elder, and Co., 1847. Three octavo volumes, modern green three-quarter crushed morocco, marbled cloth boards, raised bands, spines lettered in gilt, top edges gilt, marbled endpapers. All half-titles present, thirty-two pages of advertisements dated October 1847 (bound without publisher's catalogue fly-title) at rear of volume one, original brown...
New York: Viking Press, 1987. Quarto, green cloth spine lettered in black, original color pictorial paper boards, green pictorial endpapers, original clipped color pictorial dust jacket. Color illustrations throughout text. Light edgewear and occasional smudge to jacket, discoloration to gutter of front free endpaper.
Garden City: Doubleday Doran & Company, (1931). Quarto, measuring 10.5 x 8.5 inches, original color pictorial paper boards, red cloth spine, color pictorial endpapers, unclipped color pictorial dust jacket. Color illustrations on every page. Bookseller ticket to rear pastedown, dust jacket chipped at corners and spine ends, with small abrasion to front panel.
Tokyo: (Takum Craft Shop), 1972. Portfolio measuring 15 x 11.5 inches, original stiff mulberry paper wrappers, two pastedown stencil-dyed mulberry paper labels to front wrapper, pastedown table of contents to rear wrapper, twelve loose broadside sheets (one for each month), each stencil-dyed in multiple colors on mulberry paper, untrimmed.
London: Chapman & Hall, 1844 [i.e. 1843]. Octavo, original full brown cloth with leaf border stamped in blind to boards and central wreath design with title stamped in gilt on front board, spine stamped in gilt, yellow endpapers, all edges gilt. Half title printed in green, title page printed in...
New York: Wiley and Putnam, 1845. Octavo measuring 7.25 x 5 inches, early twentieth-century full russet calf, boards single-ruled in gilt, raised bands, black morocco spine labels, spine single-ruled and lettered in gilt, gilt dentelles, marbled endpapers. Handwritten slip tipped onto second fly leaf noting “inner gilt dentelles by Zaehnsdorf.”...
New York: Targ Editions, 1979. Tall narrow octavo, 12 pages. Original blue-green cloth lettered in gilt, original plain gold dust jacket. Pictorial title page printed in red and black; signed and numbered “1” in ink by Henry Roth on the colophon; ink inscription from publisher William Targ to Roslyn Targ...
Paris: Bibliothèque-Charpentier, 1901. Full modern red buckram lettered in gilt, yellow publisher’s rear wrapper bound in. Ink signature of James Joyce (dated 1901) to half-title. Bookplate of Alexander Neubauer to front pastedown. Front wrapper missing; half-title torn with loss, with early tape repairs to verso; text block embrowned.
(Glenview, Illinois): Scott, Foresman & Company, (1967-1968). Six octavo volumes, measuring 8.5 x 6.5 inches, original pale pictorial cloth with lettering and graphics in contrasting colors. Illustrated title pages, photographic or full-color illustrations on almost every page, glossaries at rear. School library stamps on front endpapers of two volumes, library...
[Bogotá]: Grupo Editorial Norma, (1997). Octavo, publisher’s full tan calf, raised bands, spine lettered in gilt, spine stamped with gilt fleur-de-lis to indicate a signed and numbered copy, marbled endpapers, tan silk ribbon marker. Bookbinder ticket (“Taller la Entenalla”) to front pastedown, “XLVII” hand-numbered in ink on the limitation page...
New York: Woman's World Magazine, July 1935. Staple-bound folio magazine, 26 pages. Original color pictorial wrappers, black-and-white illustrations throughout text. Highsmith's story on pages 16 and 25. Mailing address printed to top lefthand corner of upper wrapper, lightest edgewear.
Syracuse University: Spring 1940. Quarto, side-stapled dark blue pictorial wraps, beige cloth tape-bound spine. Sixty mimeographed leaves, printed on rectos only, black and white illustrations throughout text. Center crease to front cover and first few pages, shallow chipping and creasing to back cover, text block toned.
New York: Farrar, Straus and Giroux, (1963). Octavo, original black cloth lettered in green and white over black paper boards, green endpapers, top edge stained black, original unclipped pictorial dust jacket lettered in blue and green. Ink presentation inscription from Sontag to Dwight MacDonald on verso of front free endpaper...
London and Edinburgh: Gall & Inglis, circa 1880. Octavo, original full red cloth elaborately blocked in gilt, black and blind with decorative fern design, beveled boards, pale yellow endpapers, all edges gilt. Color frontispiece and seven full-page wood engravings throughout text. Front free endpaper neatly excised.
Edinburgh and London: Gall & Inglis, circa 1884. Octavo, original full blue cloth elaborately blocked in gilt, black and blind with decorative fern design, beveled boards, cream coated endpapers, all edges gilt. Color frontispiece and seven full-page wood engravings. Ink prize gift inscription dated 1884 to verso of front fly...
Cambridge: Harvard University Press, 1980. Octavo, publisher's beige cloth lettered in black, dark brown endpapers, supplied clipped typographic dust jacket. Inscribed in ink on the title page: “For Henry Nash Smith, / admiringly, / from Helen Vendler.” Pencil notation to verso of final blank, author photograph from original dust jacket...