London: T. Cadell and W. Davies, 1820. Octavo, contemporary full tan crushed morocco, boards bordered in gilt and blind, spine ruled and decorated in gilt and blind, marbled endpapers, marbled edges, silk ribbon marker. Presentation inscription from Hannah More facing title page, dated in the year of publication. Joints expertly...
New York: Viking Press, (1975). Quarto, original full orange linen lettered in black, brown endpapers, original unclipped color pictorial dust jacket. Frontispiece map of Mozart’s route across Italy, sepia-toned illustrations throughout text. Biographies and bibliography at rear. Inscribed in ink on title page: “for Bill Targ / with every good...
Garden City: Doubleday Doran & Company, (1931). Quarto, measuring 10.5 x 8.5 inches, original color pictorial paper boards, red cloth spine, color pictorial endpapers, unclipped color pictorial dust jacket. Color illustrations on every page. Bookseller ticket to rear pastedown, dust jacket chipped at corners and spine ends, with small abrasion to front panel.
New York: Robert L. Stillson Co. (1921). Single volume measuring 8.25 x 6 inches, 137 pp. Grey paper wrappers lettered in black and silver, pastedown illustration of the Brooklyn Bridge to upper wrapper, ivory endpapers. Black and white illustrations throughout text. Light dampstain to endpapers and upper corner of last few pages.
Paris: Edward W. Titus, 1932. Octavo, original black buckram lettered in gilt, original green typographic dust jacket lettered in black and red. Title page printed in black and red, two facsimile pages from Lawrence's manuscript introduction to Lady Chatterley's Lover reprinted at 76-77. Dust jacket toned, as always, front and...
Paris: Guillaume Desprez, 1670. Twelvemo: (ixxxii) 1-365 (21). Full nineteenth-century red morocco in Jansenist style, boards ruled in blind, raised bands, spine lettered in gilt, gilt dentelles, marbled endpapers, all edges gilt, green silk ribbon marker. Publisher's woodcut cipher device on title page, woodcut initials and headpieces throughout text, with...
London: Printed for J. Murray, No. 32, Fleet Street; J. Sewell, No. 32, Cornhill; and W. Creech, at Edinburgh, 1788. Octavo, full contemporary speckled calf skillfully rebacked, boards double-ruled in gilt, spine elaborately stamped in gilt, red morocco spine label lettered in gilt. Light spotting to title page with ghost...
(Glenview, Illinois): Scott, Foresman & Company, (1967-1968). Six octavo volumes, measuring 8.5 x 6.5 inches, original pale pictorial cloth with lettering and graphics in contrasting colors. Illustrated title pages, photographic or full-color illustrations on almost every page, glossaries at rear. School library stamps on front endpapers of two volumes, library...
Paris: Domino Press, (1931). Slim folio, measuring 14.25 x 11.25 inches, original blue cloth over color lithographed paper boards. Full-color lithographs, printed by Mourlot Frères, throughout text. Faded spine beginning to fray, corners lightly bumped, light toning to edges of boards.
London: Gibbings & Company Ltd. 1901. Four small octavo volumes, original deep purple pictorial cloth stamped in silver and gilt with mirror devices to front boards, spines decorated in silver and gilt, top edges gilt, text blocks uncut. Wood-engraved title page in each volume, sixteen full-page plates throughout set. Index...
London: Printed for S. Smith and B. Walford, 1702. Octavo, modern full period-style specked calf, boards paneled in blind with floral cornerpieces, raised bands, red morocco spine label lettered in gilt, spine elaborately ornamented in gilt, board edges tooled in gilt, all edges speckled red. Engraved frontispiece portrait of Seneca...
Tokyo: (Takum Craft Shop), 1972. Portfolio measuring 15 x 11.5 inches, original stiff mulberry paper wrappers, two pastedown stencil-dyed mulberry paper labels to front wrapper, pastedown table of contents to rear wrapper, twelve loose broadside sheets (one for each month), each stencil-dyed in multiple colors on mulberry paper, untrimmed.
Philadelphia: Brown's Steam-Power Job Printing Office for the Walnut Street Theatre, 1854. Paper broadside, printed in black, 9 x 19 inches. Creased, light foxing, partial split at center fold, occasional small chips, not affecting text, one tiny hole. Archivally matted and framed, framed piece measures 13 x 23 inches.
Philadelphia: Brown's Steam-Power Job and Book Printing Office for Wheatley's Arch Street Theatre, 1857. Paper broadside, printed in black, 9.5 x 19 inches. Creased, light spotting, occasional small chips, not affecting text. Archivally matted and framed, framed piece measures 13 x 23 inches.
London: Printed for Lackington, Allen, and Co. Finsbury Square; and Longman, Hurst, Rees, Orme, and Brown, Paternoster Row; Reprinted for Robert Triphook, St. James's Street, by Harding and Wright, St. John's Square, 1815, 1813. Six quarto volumes, contemporary full brown crushed morocco gilt, gilt-ruled blindtooled boards, raised bands decorated in...
Glasgow: R. Urie, 1752. Twelvemo, full eighteenth-century calf, spine ruled in gilt, pp. [1-2] 3-106. Ink ownership signature dated 1838 to front free endpaper. Two tiny wormholes; text block resewn at an early date; light occasional foxing; expert repair to binding joints and corners.
New York: Vanguard Press, (1961). Slim quarto, full yellow pictorial cloth stamped in red, original unclipped color pictorial dust jacket. Color illustrations on every page. Seal of the Parents’ Magazine's Book Club for Beginning Readers to lower board and rear panel of jacket. Tiny chips to spine ends.